Thursday, April 19, 2018

grqaphic design in the world of jazz (1950s)

oliver nelson's the blues and the abstract truth, 1959, for impulse

oliver nelson was a composer and arranger, the album above is considered his best and one of 1959's best albums. this is produced by impulse, already at a time when record companies felt it was better to have photos instead of illustration. jazz was mature and sophisticated enouch that it can withstand the postraits of the players. 

jim flora design, pete jolly trio, RCA 1955

this is the early 1950s style with RCA album covers. 
david stone master, charlie parker with strings, 1947-1952, mercurty records

david stone master, lionel hampton big band, clef records, 1954

 paul chambers, bass on top, 1957 for blue note (blue note presented a unified design throughout, showing the sophistication of jazz through the realistic photos of the musicians

neil fujita, dave brubeck, time out, 1959, columbia

 
paul bacon,from a de chirico painting, for thelonius monk's misterioso, riverside, 1958

neil fujita,kind of blue, miles davis, 1959, columbia

a very cool sonny, resembling pitcher don newcomb a pitcher for LA Dodgers, blue note, 1957

h. p corbissero design for SUN RA, jazz in silhouette, for evidence, 1959
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clifford brown ensemble, featuring zoot sims, 1955, for pacific jazz records, 1957

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