the emigrés: zwart, pineles, bass, lubalin, cassandre. mondrian & de stijl, 1940's women's lib: jenny on the job, etc.
My process is very much about trying to get a philosophical or scientific understanding of dreaming through the examination of my own dreams. Dreaming is really kind of lost on science right now, it's something that's very much unexplained, and yet it's something that we each do every night, regardless of how much we remember. I think it's kind of a borderland, and that's why I called the show 'Borderland' - it's this area between something that is real and something that is not real."it sounds interesting, it looks good.
|by Richard Harlfinger|
|Gerda Weneger, ?, 1920's|
|Gerda Weneger, ?, ca 1920's|
|Louis Icart, Retiring, 1920's|
|S. Sauvage, 1924|
|M. E. Philip, Heisser Tag, 1931|
|William Wallace, Fantazius, 1922|
|Blaine Mahlon, Venus Nova, 1939|
|Into the Pit, by Pit|
|Olivia de Bernardinis (1948- )|
Giuseppe Petrilli, backline #2