Nina Wiener, "performance poster" for International Theather Festival, 1987 |
In the 1980s, Studio Dumbar became the most emblematic of Dutch designers. There was nothing to compare with this awe-inspiring level of graphic sophistication, originality, and swaggering self-belief.
What do we have here?
*De Stijl formalism,
*1980s- 1990s visual effects produced photographically and digitally,
*there's no particular logic, other than graphic surprise.
*there's no particular logic, other than graphic surprise.
* the chaotic orderly provides enough abstraction for a viewer intent on getting the information,