As the boundaries between urban and suburban become blurred, the city resembles more a landscape (or topography), rather than a volume. Installation art opens the possibility of exploring the limits of corporality and gregariousness.

Sachiko Kodama uses magnetic fluid to combine with dynamic, organic shapes in order to represent human emotion via pulsating liquids.

Let's design chaos and fashion our personal disorders
On Screens
With Cybernetic Tools
From Countercultural Perspectives
With Informational Chemicals (Chaos Drugs)
While DeLighting in CybErotics
As Guerrilla Artists
To Explore De-Animation Alternatives
While Surfing the Waves of Millennium Madness
to glimpse the glorious wild impossibilities and improbabilities of the century to come. Enjoy it ! It's ours to be played with. – Timothy Leery, The Eternal Philosophy of Chaos.

One can see spaces as ad lib, impromptu; suited for a life of diversity. Space -not as static, but- as a mutating force.

According to Robert Bone, The Catacombs are a metaphor for new theories of information processing. New technologies are inclusive rather than exclusionary, expansive rather than reductive, circular rather than linear, ultimately egalitarian and lifeaffirming rather than hierarchical and domineering.