Natalia Goncharova. In A Game in Hell: A Poem (Igra v adu: Poema), 1912
We've covered an amazing chunk of history: Cubism, Expressionism, Constructivism, Neue Typographie, Futurism and Dadaism. At each step of the way I've tried to connect these developments and techniques to graphic design, only now, graphic = a mark and design = the possibility of a mark in a space.
Yesterday, I reiterated this idea of typeface as the smallest graphic experimentation unit. So,
What's on your mind?
Yesterday, I reiterated this idea of typeface as the smallest graphic experimentation unit. So,
Typeface = line (drawing) = floor plan (architecture) = chair (furniture) = string quartet (music) = monologue (theater) = pirouette (dance).
What's on your mind?
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pS: I said that Johannes Itten was a director @ the Bauhaus. Not exactly. He was director at the Kunstgewerbeschule, and one of the masters at the BAUHAUS faculty. Gropius, Meyer and Mies (in this order) were directors are BAUHAUS. My lapse and my apologies. :)