1- Geography, language, existing culture and cultural influences from the outside and finally, history (whether war, annexation, colonization, technological developments, etc).
trajan, circa 1st-3rd centuries at (trajan column)
2- Trajan, above, becomes Rustica, below,
rustica, circa 5th century ad
Why? Nobody really knows. Why are Latin peoples more boisterous than the Nordic? Climate? Food? Language? ALL OF THE ABOVE. I made the point to compare Romanic vs. Gothic.
The form in the south is more rounded and expanding, the north is ascetic and ascending.
3- With the advent of papyri and vellum we get: NEW ROMAN CURSIVE (miniscules).
3- With the advent of papyri and vellum we get: NEW ROMAN CURSIVE (miniscules).
This is a technological achievement: THE INK FLOWS! It was used from
approximately the 3rd-7th century, and uses letter forms
that are more recognizable to modern readers; "a", "b", "d", and "e"
have taken a more familiar shape, and the other letters are
proportionate to each other rather than varying wildly in size and
placement on a line.
4- We also get UNCIALS (majuscules), this is the lettering of power, church, aristocracy, royalty. Uncials spread all over: west, east, north. Greeks loved uncials! Byzantium loved uncials! Why? I guess it's haiographic.
This is around 7th-9th centuries Carolingian in the west, Byzantium in the east.
5- Then we get half-uncials. Why? They allow for serifs! That's the beginning of ascenders and descenders (remember half-uncials have nothing to do with uncials, all it means is that it's a church letter! Hymns, Psalters, etc).
6- Now the half-uncial crosses the channel to the British Isles. Where? Ireland! Why? The answer may be in the Book of Kells! The Irish were really into illuminated texts... (and they mixed it with keltic paganism). To note, the Irish gave these typefaces a makeover with the use of rinceaux and more complex superimposition of knots.
or this (much later) 11th century, miniscule:
7- It's from this travel to the Isles that we get the whole proto-gothic family:
Visigothic,
Merovingian, basically a Carolingian miniscule circa (7th-8th century)
and Beneventan (basically derivation of Carolingian miniscule),
In time you get this beauty. The Gothic Textura!
Mature Gothic is already the Humanist style.
Bastarda, Chancery, secretary, etc, and the rest are just variations of these styles.
roman cursive (see that this is a faster trace, like gel ink in paper today)
4- We also get UNCIALS (majuscules), this is the lettering of power, church, aristocracy, royalty. Uncials spread all over: west, east, north. Greeks loved uncials! Byzantium loved uncials! Why? I guess it's haiographic.
This is around 7th-9th centuries Carolingian in the west, Byzantium in the east.
uncials 7-9th centuries
5- Then we get half-uncials. Why? They allow for serifs! That's the beginning of ascenders and descenders (remember half-uncials have nothing to do with uncials, all it means is that it's a church letter! Hymns, Psalters, etc).
half-uncials
6- Now the half-uncial crosses the channel to the British Isles. Where? Ireland! Why? The answer may be in the Book of Kells! The Irish were really into illuminated texts... (and they mixed it with keltic paganism). To note, the Irish gave these typefaces a makeover with the use of rinceaux and more complex superimposition of knots.
or this (much later) 11th century, miniscule:
Visigothic,
Merovingian, basically a Carolingian miniscule circa (7th-8th century)
merovingian
and Beneventan (basically derivation of Carolingian miniscule),
benvenetan
In time you get this beauty. The Gothic Textura!
Mature Gothic is already the Humanist style.
Bastarda, Chancery, secretary, etc, and the rest are just variations of these styles.
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