Owen Jones's illustrated plates and design motifs drew from nineteen different cultures including the ornament of Oceania, Rome, Byzantium, ancient Greece, Renaissance Italy, Rome, and Moorish Spain. The Grammar was adapted to architectural decoration, fabrics, textiles, tile design, furniture and wallpaper during the second half of the nineteenth century.
The book feels a bit like anthropology:
Owen Jones' Grammar of Ornament (1856) is one of the most influential design books of the 19th century. It played a crucial role in shaping architectural, decorative, and industrial design by promoting principles of good design drawn from historical and global sources.
Here’s why it is important:
1. Groundbreaking Design: Theory Grammar of Ornament introduced 37 key design principles, emphasizing harmony, simplicity, and structure in decoration. Advocated for design rules based on historical and natural patterns, influencing generations of designers and architects.
2. Global Influence on Decorative Arts: Jones studied and documented ornamental styles from different cultures, including Egyptian, Islamic, Greek, Roman, Indian, and Gothic motifs. Encouraged designers to move beyond classical European traditions and embrace non-Western aesthetics.
3. Pioneering Use of Color Printing: One of the first books to use chromolithography, making it a visually stunning resource. Helped revolutionize color theory in design, promoting vibrant, historically accurate palettes.
4. Impact on the Arts and Crafts & Art Nouveau: Inspired figures like William Morris and the Arts and Crafts Movement, who embraced handcrafted beauty and historical influences. Its emphasis on natural forms and geometric patterns influenced Art Nouveau and modern decorative design.