Louise Bourgeois' "Untitled" and "Hanging Janus with Jacket" (1960-80's). Bourgeois' sculptures exhale the sweat of erotic work. They may not be immediate figures of desire, but they position themselves clearly as “operations” where desire becomes manifest. "Rising like a proud, pristine phoenix in a Pasolini opera from the ashes of th past, overcoming obstacles as mighty as deconstruction and as petty as simulation, Bourgeois reigns supreme, and her subjects do not (and cannot) hide their worship, for her stamp is all over their works as brazenly as so often their politics are written on their black crepe Comme des Garcons sleeves."-- Christian Leigh, The Earrings of Madame B.