More recently, a third avant-garde has emerged: The anti-artistic avant-garde, which is alienated from the very notion of art and its practice as it's received in other versions of the avant-garde culture. Art itself and its academic extension, is perceived as "oppressive" and "exploitative," and the obligation of the artist (and of the art critic) is seen as the promotion of the "end of art". The very coherence of art is felt to be an imposition of an arbitrary system on the immediacy of "aesthetic experiences," which are to be pursued with a self-conscious repudiation of any deliberate control.