Thursday, April 26, 2012
The child consumer
Are children under excessive commercial pressure to be seen buying and wearing fashionable brands?
YES. The average American child watches an estimate between 25,000 to 40,000 television commercials per year. In the UK, it is about 10,000 $15-17 billion is spent by companies advertising to children in the US. Over $4 billion was spent in 2009 by the fast food industry alone. The marketing seems to be worth it. For example, Teens in the US spend around $160 billion a year Children (up to 11) spend around $18 billion a year “Tweens” (8-12 year olds) “heavily influence” more than $30 billion in other spending by parents, and “80 percent of all global brands now deploy a ‘tween strategy.’” Children (under 12) and teens influence parental purchases totaling over $130-670 billion a year.
The Journal of the American Medical Association has said that children between the ages of two and seventeen watch an annual average of 15,000 to 18,000 hours of television, compared with 12,000 hours spent per year in school. Children are also major targets for TV advertising, whose impact is greater than usual because there is an apparent lessening of influence by parents and others in the older generation.… According to the [Committee on Communications of the American Academy of Pediatrics], children under the age of two should not watch television at all because at that age, brain development depends heavily on real human interactions.
A nice website here.
Issues in Contemporary Design
Sunday, April 22, 2012
Design is History
A very good website for graphic design history here. You get a time table on the left hand side and a scroll down menu of schools & figures. A nice bio with clear images informs the artist or school. It's a work in progress!
Thursday, April 19, 2012
Namaiki (Tokyo)
Those familiar with Namaiki’s insanely colourful objects and installations, mad graphics and psychedelic videos might be surprised to hear that they are now mainly working in the garden watching their plants grow. Oh, really? Indeed, the Tokyo-based foreign design duo, consisting of graphic designer David Duval Smith (NZ) and architect Michael Frank (UK), are not only celebrating their 10th Namaiki (naughty) anniversary this year: Still fulfilling the connoisseur’s high expectations in terms of silliness, madness and genius, they added another level to their recent fun and light-hearted installations by switching literally to more natural grounds. PingMag transcribed the essence of an afternoon in David’s garden introducing some of Namaiki’s inspiring thoughts as to why ending up working with living things is just the most interesting thing to do… (taken from Ping Mag)
Friday, April 13, 2012
Your turn #10
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| Filip Dujardin, courtesy DGV |
What's on your mind?
Thursday, April 12, 2012
Hurricane Projects: poster as a political medium
Jeff Boyes Pitt Meadows, Canada
A.. Vastagh, Nashville, Tennessee
Jason Thompson, Brooklyn, New York
Allen Boe, Lincoln, Nebraska
Tuesday, April 10, 2012
Thursday, April 5, 2012
Julie Joliat


Julie Joliat pursues her career between the two key graphic centers of The Netherlands and Switzerland. Recently based in Zurich after spending 4 years in Amsterdam and the Hague, she works in the field of graphic design and illustration mainly in artistic and cultural medium for: books, magazines, logos, corporate identities, brochures, posters, flyers, web design, and self initiated projects...
Friday, March 30, 2012
Can Advertising Survive Digital?
In the Daily Beast, an interesting article by Dan Lyons:
In this brave new world, the role of advertising agencies would change as well. Instead of being a pack of well-paid liars, ad agencies would act more like consultants, helping companies figure out how to fix their businesses and improve their brand reputation based on actual accomplishments.
Your turn #8
Thursday, March 29, 2012
Freedom and originality
The Polish Poster is an original school, which goes from the mid-1950's to the early 1980's. There are two things that sets this school apart: search for freedom and originality. Polish artists try to create outside the box of Socialist Realism. In doing so they come up with a specific code-system, which is unique, and at the same time, universal. Two of the main underlying styles are a kind of Polish Surrealism and Polish Pop art.
By the way, this is a great page for Polish Poster History!
What's so (a)typical about the most typical face?
After this image appeared on Yahoo News, I posted something on miami.bourbaki about the riddle concerning "typical."
Saturday, March 24, 2012
Your turn #7
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| Alicia Olink with Ray Gun, Fancesco Locastro, 2011 |
Go ahead!
Thursday, March 22, 2012
A Design Education Manifesto
I found this Design Education Manifesto by Mitch Goldstein I'd like to share with you:
School is hard. Design school is especially hard because so much of it exists within the abstract, the opinion. There are few, if any, absolutes as you go through design school. Much of design education is about learning some key techniques and then trying to apply them to your work in interesting ways. The following are some thoughts I have about how to go through a design program and get the most out of the experience, and beyond as a creative professional. More here.
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